Some comments on Fex & Coo from subscribers:
John Woodcock
Perhaps a breadcrumb or two that may be of interest to readers, as the plot “thickens”. Pay attention to verb tenses like this one: “I’ve never met Fex before in my life. At least not before later today.” Let it gently twist your mind in preparation for what is to come. You will need a gently twisted mind…
Tanya Hurst
(softly) No, John…not to be figured out, but figured in… You can’t see Fex and Coo by looking in the usual way. The time is neither early nor late, Fex and Coo have always (and never) been there. Hurry over to Tully’s before you miss them. Those two are up to something…subversively legit. Sorry I missed you this morning. I’ll be heading over after work this evening for a cinnamon latte, hoping to get a another glimpse of the Owl Man. Page 8.
John Woodcock
HI Tanya, your response is very interesting to me. Thank you. So, you seem, as the reader, not to have your mind gently twisted. This is because you know what is coming in advance (as in your quote). This is a perspective available to us, as readers for sure (we can read ahead). However you must agree I think that the other characters in the story do get their minds twisted a bit by what is happening. So maybe that will happen to the reader who enters the text, becomes a character too, as it were. But what does it mean for any one character to make that extraordinary mind-bending statement, “I’ve never met Fex before in my life. At least not before later today.” This statement shows that there is two characters, Owl Man and Heron Man, who hold BOTH perspectives, participating character and writer, simultaneously and know that they do. They both “see ahead into the future” and take part in the now. Imagine someone in real life making a statement like that.: "I’ve never met Fex before in my life. At least not before later today.” What style of consciousness would that be? It's a dual consciousness. This to me is what makes this novel, novel!
Of course many books have narrators who tell us ahead of time what is going to happen to this or that character, even if that character is the "I" of the narrator (think of Amercing Beauty where the narrator is dead). That is not happening here in this book however. It's much weirder.... hence the breadcrumbs.